Paul Graham
In his first series A1: The Great North Road in 1981, Graham portrays the anonymous along the route from London to Edinburgh. In a manner akin to a social sur-vey, this work testifies of the country under Thatcher and its industrial decline. Over the next two decades, his body of work provides a critical eye on society, whether it be British such as in Beyond Caring (1985), Irish as in Troubled Land (1984-1986) or American as in American Night (1998-2002).
His arrival in the United States at the start of the 2000s marks a renewal of his subjects. a shimmer of possibility (2004-2006), for which he was awarded the Deutsche Börse Photography Prize in 2009, and The Present (2011) suggest an evolution between documentary and conceptual approaches to photography, through which he attempts to seize the inexhaustible yet fleeting flow of the world, in all its intensity and serenity. His interest in the photographic medium as an object is explored through the rhythmic compositions of the series once installed.
A more personal series, Does Yellow Run Forever? (2014) sets a dialogue between portraits of his wife asleep, rainbows from Western Ireland and New York gold stores. Poetically and existentially reflecting on humanity’s drive, Graham seamlessly evokes the miraculous beauty of the everyday, the gift of fulfillment from loved ones, and the immediate need for material possession. Mother (2018) is an intimate portrait of the artist’s aging parent. Steadily photographing her from a fixed perspective, the series highlights the subtle changes operating at an imperceptible pace. This rapport to time sits at the core of Graham’s photo-graphic approach.
Graham’s work is internationally recognized and ex-hibited. In 2009, the MoMA memorably presented the series a shimmer of possibility. After exhibiting Beyond Caring and The Present in 2012 at Le BAL (Paris), his work is currently on display in the collective exhibition À partir d’elle. Des artistes et leur mère. His work is held in major public collections, such as Tate, MoMA, the MET and the Guggenheim.
SOLO SHOWS (Selection)
Group SHOWS (Selection)
2013 Looking at The View, Tate Britain, London, England
2013 The Unphotographable, Fraenkel Gallery, San Francisco, CA, USA
2008 IdleYouth, Barbara Gladstone Gallery, New York, USA
2008 Street & Studio, Tate Modern, London, UK
2007 Summer Exhibition, Royal Academy of Art, London, UK
2006 Making History: Art and Documentary in Britain from 1929 to Now, Tate Liverpool, UK
2006 Les Peintres de la Vie Moderne, Centre Pompidou, Paris, France
2006 Stories, Histories, (Gesichichten, Geschichte) Fotomuseum, Winterthur, Switzerland
2006 Searching for Traces, Kunstmuseum Wolfsburg, Germany
2005 American Landscape, Steidl, Timezone 8, Beijing, China
2005 Bidibibodibiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy
2004 MoMA Inaugural Opening Exhibiton, MoMA, New York, USA
2004 Extra City, Centre for Contemporary Art, Antwerp, Belgium
2003 Cruel and Tender – Photographs of the 20th Century, Tate Modern, London, and Museum Ludwig, Cologne
2003 Portraiture, Karyn Lovegrove Gallery, Los Angeles, USA
2003 Einblicke in Privatsammlungen, Museum Folkwang, Essen, Germany
2002 Malerie Ohne Malerie, Museum der Bildenden Kunste Leipzig, Germany
2002 Where Are We? Questions of Landscape, Victoria and Albert Museum, London, UK
2001 Neue Welt, Frankfurter Kunstverein, Frankfurt, Germany
2001 Die Kunst des Autos, Kunsthalle Dominikanerkirche, Osnabruck, Germany
2001 Tele(visions), Kunsthalle, Vienna
2000 Modern Contemporary: Paths of Resistance, MOMA, NYC, and Moderne Museet, Stockholm, Sweden
2000 Ghosts, Invisible Museum, Memphis, USA
2000 Invitation to the City, Centre Bruxelles 2000, Brussels, Belgium
2000 Unhoused, Antiguo Colegio de San Ildefenso, Mexico City, Mexico
1999 Art Life 21, Spiral/Wacoa Art Centre, Tokyo, Japan
1999 Paul Graham & Ursula Rogg, Galerie Andreas Binder, Munich, Germany
1999 Common People, Fondazione Rebaudengo, Guarene, Italy
1998 Tuning Up #5, Kunstmuseum, Wolfsburg, Germany
1998 Citibank Private Photography Prize, Photographers’ Gallery, London, UK
1998 Rencontres International de la Photographie, Arles, France
1998 Yesterday Begins Tomorrow, Bard College for Curatorial Studies, New York, USA
1997 Photography in Europe, Green on Red Gallery, Dublin, Irland
1997 Strange Days, Claudia Gian Ferrari Arte Contemporanea, Milan, Italy
1996 Colorealismo, Galleria Photology, Milan, Italy
1996 Prospect, Schirn Kunsthalle Frankfurt and Kunstverein Frankfurt, Germany
Collections
Museum of Modern Art, New York, USA
Guggenheim Museum, New York, USA
Whitney Museum of Art, NYC, USA
Tate Gallery, London, UK
Stedelijk Museum, Amsterdam, Holland, Netherlands
European Parliament, Brussels, Belgium
Arts Council of Great Britain, London, UK
Det Kongelige Bibliotek, Copenhagen.
Fotomuseum Winterthur, Switzerland
Kunstmuseum Wolfsburg, Wolfsburg, Germany
Musee de la Photographie, Charleroi, Belgium
Museum Communali, Rimini, Italy
National Museum of Photography, Bradford, UK
Victoria and Albert Museum, London
Winnipeg Art Museum, Winnipeg, Manitoba
Private Collections in USA, Europe and Japan
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California (Barbie + Jack in Box)
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California (Park)
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Man waiting at bus stop, Detroit, 2001
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Man in shade of pole, Detroit, 2001
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Man sitting by McDonalds sign, Detroit, 2001
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Slumped man, Los Angeles, 2001
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Man waiting at bus stop, Atlanta, 2002
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Man with hand over face, Augusta, 2002
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Woman in wheelchair, San Antonio, 2002
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Hedge in wind, Bedfordshire, june 1982
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Great North Road Garage, november 1981
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Young Executives, Bank of England, London, november 1981
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Interior, Rainton services, North Yorkshire, november 1981
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Looking North, Nawcastle by-pass, Tyne and Wear, november 1981
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Burning fields, Melmerby, North Yorkshire, september 1981